Keith Ferris – Only 20 Litho’s left!

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Stretching the Canvas

Super Sabre Society
Bien Hoa F-100D 440 at Tet, 1968

8/7/2017

[/vc_column_text][vc_column_text]Since switching from using self prepared panels almost thirty years ago I have stretched and prepared my own canvases.
Stretching the Canvas is my initial investment in a work, the all important first step in creating a painting. The proportions of the canvas are determined by the preplanned shape of the composition and must provide a permanent stable rigid surface, remain tight as a drum and be prepared with several coatings of acrylic gesso oil painting ground ready to receive the drawing and painting.

I use Fredrix Heavy Duty Pine Stretcher Bars and Fredrix Acrylic Double Primed Antwerp 190DP Pure Linen canvas which comes in six foot by 6 yard rolls.
The following few slides will show the various steps performed in stretching and preparing the canvas.[/vc_column_text][vc_empty_space][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/3″][vc_single_image image=”19512″ img_size=”full” alignment=”center” qode_css_animation=”” title=”

The Stretcher Bars

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Assembly Method

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Repeat All Four Corners

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Checking Square

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Measure the Diagonals

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If Diagonals Match, Frame is Square

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Four Temporary Pins Maintain Square

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Now for the Canvas

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Three Inches of Canvas Around

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Measuring for the Cut

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Drawing the Cut Line

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Cutting the Canvas

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Stapler and ½ in Staples

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1st Staple, Center of 1st long Side

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Set staple with Small Hammer

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Move to Center, Opposite Long Side

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Tighten with Stretcher Tool, Staple # 2

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First Short Side Center, Staple #3

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Opposite Short Side, Staple # 4

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Four Sides Tight, Single Staple Each

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Working from Center Outward Add Staple Each Side of Original Staple on 1st Long Side

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Working from Center Outward Add Staple Each Side of Original Staple on 1st Long Side

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Repeat Process on Opposing Long Side

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Repeat Process Short Sides in Order

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Remove temporary pins at corners

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Canvas pre-fold for square corners

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Stretch tight for final corner staples

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Canvas stretching complete

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Home made Corner Shims

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Corner Shims in place

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Canvas Stretched ready for Gesso

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Beginning the Gesso Process

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Corner Shims in place

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Rapidly cover canvas horizontally

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Beginning the Gesso Process

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smoothing it out with 2 ½ inch brush

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I always finish with vertical brush strokes from bottom to top, top to bottom, to avoid reflections and shadows of horizontal brush strokes revealed by overhead lighting .

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I always finish with vertical brush strokes from bottom to top, top to bottom, to avoid reflections and shadows of horizontal brush strokes revealed by overhead lighting .

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The finished Gessoed Canvas, awaiting the drawing.

For those interested, I use Liquitex Acrylic Gesso for the perfect painting surface.
This Gesso is available in gallon containers from most artist’s supply stores.

For single primed canvas I use two coats of Gesso. For double primed canvas, one coat will usually suffice.

Now off to the drawing!

 

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